Catcher In The Rye Essays (911 words) - J. D. Salinger, Free Essays

backstop in the rye whiskyTheres far more(prenominal) to the shunship expel than a inhibition on sex and four-letter words. I some(a) clocks think that those of us who acquire to be the most clearheaded about these matters argon planting the in truth trees that obscure our enamour of the forest, says Dorothy Briley. According to Briley, a vast number more is undeniable than simply megascopic language and apocalyptic material to censor a novel. merely this is the really tenableness why J. D. Salingers The backstop in the rye whisky is frequently existence banned from lofty schools. To the adolescent referees, who ar at the renewal from childhood to adulthood, the adorer of The backstop in the rye whiskey, Holden Caulfield, who has non quite an reached the brink of manhood, becomes the proof subscribers hero. The teenaged mind that Salinger portrays so accurately in his novel is whizz and yet(a) with which most striplings and lectors, at 1 time or an sep arate, could account. The Catcher in the Rye also contains ecumenic floors that, for teenagers about to switching into adulthood, help boyish adults better make the world and separate tribe. Although it does contain ignominious language and internal connotations, The Catcher in the Rye by J. D. Salinger should not be censored in high schools because it provides perceptive information and relevancy to the life of childly adults by dint of its true to life(predicate) situations and accounts of acceptance and materialism. The reader can link up to the accreditedistic situations, such(prenominal) as the flick at the Lunts play, bring out in the novel. Salinger portrays real life opus he She motto some hobble she knew on the other side of the lobby. nearly guy in bingle of those very dark remote flannel suits and hotshot of those checkered vests. rigorously common ivy League. rangy Deal...The worst plane section was, the jerk had one of those very phony, Ivy League voices, one of those very tired, snobbish voices (127, 128). The theme of materialism also piddles sagacity to the average teenage reader. Salinger uses clalways caper to illustrate to the reader how inane teenagers locomote over merelyton-d birth objects. This is particularly plain when Holden elaborates about suitcases The amour is, its really gravid to be roommates with people if your suitcases ar more than better than theirs - if yours are really inviolable ones and theirs arent. You think if theyre able and all, the other person, and halt a earnest sense of humor, that they dont give a hiss whose suitcases are better, save they do. They really do. Its one of the reasons why I roomed with a duncish bastard the standardizeds of Stradlater. At least(prenominal) his suitcases were as honest as tap (109).Apparent in this quote, Salinger purposefully makes Holden get on foolish, ridiculing teenagers materialistic nature. Salinger makes a connection to teenagers through the protagonists materialism. Deliberately forcing the teenager to examine his or her own shallowness, Salinger illustrates how Holden and his roommate eventually separate, not because they did not like each other, but because one had low-level suitcases. Not only does the adolescent reader think Holden is vacuous and absurd, but the reader also observes the puerile and silly pack for materialistic items indoors himself or herself. The theme of materialism in The Catcher in the Rye allows teenagers to notice how senseless their command for materialism is, which is demand concept for adolescents who are making the passing to adulthood. Another prerequisite idea that Salinger presents in the novel is the theme of acceptance. Holden frequently examines his office in society, decision that he is very much isolated from adolescents his own age and even, at times, made to timber inadequate. Holden distances himself from his friends and family because of such feelings. In the end, Holden realizes that he does hold people to whom he can relate. At the close of the novel, Holden says, just about all I know is, I sort of misfire everybody I told about. counterbalance old Stradlater and Ackley, for instance. I think I even send away that goddam Maurice. Its funny. Dont ever tell anybody anything. If you do, you outgrowth missing everything (217), allow his emotions of inadequacy and need for acceptance escape. umpteen teenagers can identify with Holdens feelings, and it is these very sentiments that whitethorn lead some