Sunday, June 2, 2019
The True Message of Joy Luck Club and The Hundred Secret Senses Essay
The True Message of  blessedness Luck Club and The Hundred Secret Senses        Alice Walker calls Amy Tans novel, The  satisfaction Luck Club, honest, moving, and  beautifully courageous. Publishers Weekly describes the novel as  intensely poetic, startlingly imaginative and moving ... deceptively simple yet  inherently dramatic. Not only has Amy Tans fiction been praised for its  literary merit, but it also has been include in anthologies of multicultural  literature for its portrayal of Chinese and Chinese-American culture.   However, critics such as George Tseo vehemently disagree with these and other accolades, particularly regarding the  cultural details of Tans fiction and mandarin orange tree Chinese dialogue. I take umbrage at Amy Tans confused rendition of Mandarin not only because the true beauty of the language is obscured but because by doing so the Chinese culture  is misrepresented. He argues that Tan uses phony and stereotypically  wooden and metaphorical Chinese dial   ogue, a one-sided over-emphasis on Chinese  superstitious practices, and culturally implausible plots (339).   Sau-Ling Cynthia Wong, an associate professor  of Asian-American studies at the University of Berkeley, corroborates Tseos  challenge of Tans cultural accuracy. Wong points out errors such as Tans  misuse of the term tang jie or sugar  babe in The Hundred Secret Senses,  Tans third novel. Not only has Tan confused the word tang with its  Chinese homophone--which does not mean sugar--but she has ascribed a  metaphorical use, meaning a friend as close as a sister, to a term which only  refers to a blood relative in the Chinese kinship system (180-82). Wong  acknowledges that errors of the sugar sister type lin...  ...s.  Ed. Harold Bloom. Philadelphia Chelsea House, 1997. 85-7.  Schell, Orville. Critical Extract. Asian-American Women  Writers. Ed. Harold Bloom. Philadelphia Chelsea House,  1997. 82-3.  Shear, Walter. Generational differences and the diaspora in  The Joy Luck    Club. Women Writers. 34.3 (Spring 1993) 193.  Expanded Academic Index.  Souris, Stephen. Only Two Kinds of Daughters Inter-  Monologue Dialogicity in The Joy Luck Club. Melus 19.2  (Summer 1994)99-123.  Tan, Amy. The Joy Luck Club. New York Ivy Books, 1989.  --------- The Hundred Secret Senses. New York Ivy  Books, 1995. Willard, Nancy. Critical Extract. Asian-American Women  Writers. Ed. Harold Bloom. Philadelphia Chelsea House,  1997. 84-5.  Xu, Ben. Memory and the Ethnic Self Reading Amy Tans Joy  Luck Club. Melus 19.1 (Spring 1994) 3-17.                    
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